Cradle of the Renaissance and home to three incorrupt saints, with the miraculous Annunciation fresco, Brunelleschi's dome, and centuries of artistic devotion.
Florence stands as a city where faith and genius have long been inseparable. The same hands that painted the Madonna painted her for churches. The same patrons who funded palaces funded altars. When Brunelleschi raised his impossible dome over the Cathedral of Santa Maria del Fiore in 1436, he was not merely solving an engineering problem—he was completing a work of prayer that had waited 140 years for someone bold enough to crown it. The dome still dominates the Florentine skyline, visible from every approach, a visible declaration that beauty itself can be an act of worship. Within these Renaissance walls, pilgrims discover something unexpected: three saints whose bodies remain incorrupt. St. Antoninus lies in San Marco, the Dominican friar who served as Florence's archbishop and refused to profit from his office. St. Mary Magdalene de' Pazzi rests in Santa Maria Maddalena de' Pazzi, the Carmelite mystic who experienced ecstasies so intense she could only describe them in fragments. St. John Gualberto, founder of the Vallombrosans, lies at San Miniato al Monte. The presence of these preserved bodies, centuries after death, speaks to something in Florence that transcends the merely artistic.
Florence's position as a pilgrimage destination rests on different foundations than Rome or Assisi. Here, pilgrims do not come primarily for martyrs' tombs or miraculous apparitions. They come because this city produced art that changed how humans visualize the sacred—and because the faith that inspired that art remains very much alive. The Cathedral's consecration in 1436 marked a turning point. Pope Eugene IV himself celebrated the Mass, and the choice of March 25—the Feast of the Annunciation—was deliberate. Florence had long claimed the Virgin's special protection, and the Annunciation would become the city's defining devotion. Just steps from the Duomo, the Basilica della Santissima Annunziata houses a fresco of the Annunciation that tradition holds was completed by an angel. In 1252, the artist Bartolomeo fell asleep while struggling with the Virgin's face; when he woke, he found it finished in perfection beyond his skill. The image has drawn pilgrims for nearly eight centuries. Between 1438 and 1445, Florence hosted the Council that briefly reunited the Eastern and Western Churches. Greek bishops processed through these streets. Byzantine liturgies echoed in the Duomo. Though the union did not hold, those years marked the last moment before Constantinople's fall when Christendom stood whole. The intellectual ferment of that council—the encounter of Latin and Greek, scholastic and patristic—helped spark the Renaissance itself. The Misericordia, founded in 1244, represents another dimension of Florentine spirituality. This confraternity of hooded brothers has carried the sick and buried the dead for nearly 800 years, their black robes a familiar sight on city streets. They ask no payment and keep their identities hidden beneath their hoods—a form of charity that predates the Renaissance by centuries and continues today.
Cathedral of Saint Mary of the Flower (The Duomo) Construction began in 1296 under Arnolfo di Cambio, though the cathedral was not consecrated until 1436, when Pope Eugene IV blessed the completed structure beneath Brunelleschi's newly finished dome. The dome itself, spanning 45 meters without visible support, remains the largest masonry dome ever constructed. Giorgio Vasari's Last Judgment fresco covers the interior cupola—3,600 square meters of apocalyptic imagery that pilgrims can see up close by climbing the 463 steps between the dome's inner and outer shells. The cathedral's dimensions are staggering: 153 meters long, 90 meters wide at the transept, and 90 meters high to the lantern base. Pope Eugene IV chose March 25, 1436 for the consecration—the Feast of the Annunciation, Florence's adopted feast day. Address Piazza del Duomo, 50122 Firenze GPS 43.773083, 11.256111 Map Google Maps Web duomo.firenze.it
Basilica of the Most Holy Annunciation The Seven Holy Founders of the Servite Order established this church in 1250. Its fame rests on the miraculous fresco of the Annunciation, painted in 1252 by Fra Bartolomeo. According to centuries of tradition, the artist fell asleep while struggling with the Virgin's face, only to awake and find it completed in sublime beauty—the work, he declared, of an angelic hand. The image remains an object of intense veneration, hung with countless ex-votos and visited by brides who leave their bouquets seeking Mary's blessing. For the Jubilee Year 2025, this basilica has been designated a Holy Door site, one of only four in all of Tuscany. Address Piazza della Santissima Annunziata 9, 50122 Firenze GPS 43.776667, 11.260833 Map Google Maps Web annunziata.xoom.it
Basilica of Saint Mark The Dominican convent of San Marco, rebuilt under Cosimo de' Medici's patronage in the 1430s, houses both a museum of Fra Angelico's devotional frescoes and the incorrupt body of St. Antoninus, Florence's beloved archbishop from 1446 to 1459. Antoninus refused to enrich himself from his office, gave away his income to the poor, and was known to visit every parish in his diocese on foot. His body, discovered incorrupt when his tomb was opened in 1589, now lies beneath the altar of the Salviati Chapel. Fra Angelico painted directly on the walls of each friar's cell—an Annunciation here, a Crucifixion there—creating what amounts to a monastery of prayer made visible. Address Piazza San Marco 3, 50121 Firenze GPS 43.778333, 11.258611 Map Google Maps Web sanmarco-museo.firenze.it
Basilica of Saint Minias on the Mountain Rising above Florence on its hill across the Arno, San Miniato represents one of the finest Romanesque churches in Italy. Begun in 1018, its green-and-white marble façade catches the Tuscan light like a gem. The church marks the site where St. Minias, an early Christian martyr, was beheaded around 250 AD. Legend holds that he picked up his severed head and carried it to this hilltop before finally expiring. The Benedictine monks who maintain the church still chant Vespers in Gregorian plainchant each evening—pilgrims who arrive at 5:30 PM in winter or 6:00 PM in summer can experience liturgy that has changed little in a thousand years. St. John Gualberto, founder of the Vallombrosan Order, rests here in incorrupt repose. Address Via delle Porte Sante 34, 50125 Firenze GPS 43.761944, 11.264722 Map Google Maps Web sanminiatoalmonte.it
Basilica of the Holy Cross The largest Franciscan church in the world, Santa Croce has served as Florence's pantheon since its construction in 1294. Michelangelo, Galileo, Machiavelli, and Rossini all lie buried within its walls—yet the church's Franciscan origins remain central to its identity. Giotto's frescoes of the life of St. Francis, painted in the Bardi Chapel around 1325, established the visual vocabulary that artists would use to depict Francis for centuries. The Pazzi Chapel, designed by Brunelleschi, represents Renaissance architecture at its most harmonious. But for pilgrims, the presence of St. Francis himself matters most: legend holds that he visited this site, and the Franciscan spirit of poverty and simplicity still shapes the community here. Address Piazza di Santa Croce 16, 50122 Firenze GPS 43.768611, 11.262500 Map Google Maps Web santacroceopera.it
Basilica of Saint Mary the New The principal Dominican church of Florence, Santa Maria Novella was begun in 1221 and consecrated in 1420. Its marble façade, completed by Leon Battista Alberti in 1470, represents one of the first successful applications of Renaissance principles to a medieval Gothic structure. Inside, Masaccio's Trinity fresco (ca. 1427) stunned contemporaries with its mathematical precision—a perfect illusion of depth that seemed to punch a hole through the church wall. Giotto's crucifix, painted around 1290, hangs in the nave. The Spanish Chapel contains Andrea di Bonaiuto's Triumph of the Church, a vast fresco cycle depicting the Dominicans' intellectual and spiritual mission. The church sits directly opposite Florence's main train station, offering pilgrims a powerful first or last image of the city. Address Piazza di Santa Maria Novella, 50123 Firenze GPS 43.774444, 11.249722 Map Google Maps Web smn.it
Originally a grain market, Orsanmichele was converted into a church in 1380. Its exterior is adorned with fourteen niches containing statues of patron saints commissioned by Florence's guilds—works by Donatello, Ghiberti, and Verrocchio among them. Inside, Andrea Orcagna's magnificent Gothic tabernacle (1355-1359) enshrines a miraculous image of the Madonna, painted by Bernardo Daddi. The building's dual identity—marketplace below, church above—embodied the Florentine conviction that commerce and devotion could coexist without contradiction. Address Via dell'Arte della Lana, 50123 Firenze GPS 43.770833, 11.254444 Map Google Maps Web bargellomusei.beniculturali.it
Florence's most spectacular religious tradition, the "Explosion of the Cart," dates to the First Crusade. On Easter Sunday morning, a towering cart loaded with fireworks is drawn by white oxen through the streets to the Piazza del Duomo. During the Gloria at the Easter Mass, a mechanical dove—the colombina—shoots along a wire from the high altar through the cathedral doors, igniting the cart in a cascading explosion of fire and noise. If the colombina lights the cart successfully and returns to the altar, Florentines take it as a sign of good fortune for the year. The ritual commemorates Pazzino de' Pazzi, a Florentine crusader who was first over the walls of Jerusalem in 1099 and brought back flints from the Holy Sepulcher.
Florence's patron saint receives the city's grandest celebration. The festivities begin with a historical parade in Renaissance costume through the city center. At the Baptistery, where every Florentine was baptized for centuries, special ceremonies honor the saint. The day culminates in the Calcio Storico, a violent form of football played in medieval costume in Piazza Santa Croce—part sport, part combat, entirely Florentine. After dark, fireworks explode over the Arno, visible from Piazzale Michelangelo.
Florence's adopted feast day, marking both the Incarnation and the old Florentine New Year. The Cathedral was deliberately consecrated on this day in 1436. Special devotions take place at Santissima Annunziata, where pilgrims venerate the miraculous fresco. The date carries particular weight in 2025, when the Jubilee Holy Door at Santissima Annunziata will be open for those seeking the plenary indulgence.
On the eve of the Nativity of the Virgin, children parade through Florence carrying paper lanterns of every shape and color. The tradition commemorates the peasants who once walked through the night from surrounding hills to attend the Feast of the Madonna's Birthday at Santissima Annunziata, lighting their way with makeshift lanterns. Today's rificolone range from simple to elaborate, and good-natured competitions arise to produce the most creative designs.
Hotel Spadai ⭐⭐⭐⭐ — Boutique hotel in a historic building beside Palazzo Medici Riccardi, two minutes' walk from the Duomo. Rooftop breakfast with cathedral views. Website ∙ Reserve this hotel Brunelleschi Hotel ⭐⭐⭐⭐ — Housed in a restored Byzantine tower and medieval church overlooking the Cathedral. The property includes a private museum in the basement showcasing Roman and Byzantine artifacts discovered on site. Two restaurants, including the two-Michelin-starred Santa Elisabetta. Website ∙ Reserve this hotel Hotel Orto de' Medici ⭐⭐⭐ — A 16th-century building with garden courtyard and panoramic terrace, ten minutes' walk from the Duomo. Quiet location near Piazza San Marco and the Accademia Gallery. Website ∙ Reserve this hotel Hotel Cerretani Firenze ⭐⭐⭐⭐ — Restored 17th-century building just steps from the Cathedral and Santa Maria Novella station. Website ∙ Reserve this hotel
By Air: Florence Airport (Peretola/Amerigo Vespucci, FLR) lies just 4 km from the historic center. The T2 tram runs directly from the airport to Santa Maria Novella train station in about 20 minutes, departing every 4-5 minutes from 5:00 AM until 12:30 AM (2:00 AM on Fridays and Saturdays). Tickets cost €1.50 and must be purchased from machines at the stop before boarding. Taxis charge a fixed fare of €22 to the historic center (€25 evening rate) plus €1 per bag. For Pisa Airport (PSA), which serves more international routes, take the Pisa Mover automated train to Pisa Centrale station, then a regional train to Florence Santa Maria Novella (approximately 1 hour total). By Train: Florence's main station, Santa Maria Novella (SMN), stands directly opposite the Basilica of Santa Maria Novella in the historic center. High-speed trains connect Florence to Rome (1.5 hours), Milan (1 hour 40 minutes), Venice (2 hours), and Naples (3 hours). From the station, all major pilgrimage sites are within walking distance or a short tram ride. By Public Transport: The historic center is compact and largely pedestrianized—walking remains the best way to explore. The T2 tram now extends from Santa Maria Novella station to Piazza San Marco, passing near the Duomo. Bus tickets (€1.50-1.70) are valid for 90 minutes and must be validated upon boarding. Validate tickets in the yellow machines or risk a €50 fine. By Car: The historic center (ZTL zone) is closed to unauthorized vehicles during most hours. Park at one of the peripheral parking garages and walk or take public transport into the center.
Opera del Duomo — Official website for the Cathedral complex including the Baptistery, Campanile, Crypt, and Museum. Hours, tickets, and virtual tours. Visit Florence — Official tourism portal with event calendars, museum information, and practical visitor guidance. Archdiocese of Florence — Diocesan website with parish information, liturgical schedules, and pastoral resources. Firenze Musei — Unified booking system for Florence's major museums including the Uffizi, Accademia, and Palazzo Pitti.
Assisi (175 km) — Birthplace of Saints Francis and Clare, with the magnificent Basilica of San Francesco containing Giotto's frescoes of the saint's life. The Portiuncula—the tiny chapel where Francis founded his order—stands preserved within the Basilica of Santa Maria degli Angeli. Siena (75 km) — Home of St. Catherine, Doctor of the Church, whose preserved head is venerated in the Basilica of San Domenico. Her childhood home and the Church of San Domenico contain extensive relics and artwork depicting her mystical experiences. La Verna (110 km) — The mountainous sanctuary where St. Francis received the stigmata in September 1224. The Franciscan friars maintain this place of prayer in the Tuscan Apennines, where pilgrims can visit the very rock where Francis experienced the vision. Fiesole (8 km) — The ancient Etruscan hill town overlooking Florence, with its Romanesque cathedral and Franciscan monastery where St. Bernardino of Siena once lived. The panoramic views of Florence from here are among the finest in Tuscany.
"We are here in Florence, the city of beauty. How much beauty in this city has been placed at the service of charity!"
— Pope Francis, Address at the Cathedral of Santa Maria del Fiore, November 10, 2015